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UID:786@tbeonline.org
DTSTART;TZID=America/New_York:20240621T110000
DTEND;TZID=America/New_York:20240621T110000
DTSTAMP:20240606T162148Z
URL:https://www.tbeonline.org/events/groundbreaking-originals/
SUMMARY:Groundbreaking Originals
DESCRIPTION:\n\n\n\n\n\n\n\n\nGreat Lakes Chamber Music Festival\n\nGroundb
 reaking Originals\n\n\n\n\n\n\n\n\nFriday\, June 21 | 11:00 a.m.\nTemple B
 eth El\nSponsored by Beverly Baker &amp\; Dr. Edward Treisman\nArtists | A
 lessio Bax\, Paul Watkins\, Amnis Piano Quartet\, Hesper Quartet\n\n\n\n\n
 \n\nHAYDN String Quartet in A major\, Op. 20\, No. 6\nRIVERA Grimoire: Lap
 lace’s Demon (WORLD PREMIERE)\nCo-commissioned by Great Lakes Chamber Mu
 sic Festival\, Chamber Music Northwest and the Seattle Chamber Music Socie
 ty\nBEETHOVEN Sonata for Cello and Piano No.1 in F major\, Op.5\, No.1\n\n
 \n\n\n\nFollowed by a Lunch and Learn with visual artist Sabrina Nelson. (
 Included with concert ticket)\nBreaking ground in music\, much like in the
  construction of art\, requires different approaches for each unique situa
 tion\, as seen in the diverse methods of Haydn\, Beethoven\, and Kyle Rive
 ra. Haydn’s Opus 20 revolutionized the string quartet by playing within 
 and subtly altering established forms\, introducing intellectual play and 
 harmonic fluidity. In contrast\, Beethoven’s Opus 5 cello sonatas disrup
 ted traditional roles\, creating a balanced partnership between instrument
 s and redefining sonata form. Contemporary composer Kyle Rivera\, inspired
  by visual art and scientific determinism\, creates music that transcends 
 traditional structures\, embodying cultural and philosophical explorations
 . Each of these artists exemplifies how innovation emerges from the master
 y and transformation of existing forms\, emphasizing individuality and the
  breaking of conventions to forge new creative paths.\n&nbsp\;\n&nbsp\;\nF
 ollowing the concert\, artist Sabrina Nelson offers a complementary perspe
 ctive on innovation in art. Her work explores the connection between spiri
 t\, motion\, and intimacy in healing\, influenced by Yoruba religion and E
 astern and African philosophies. Nelson uses painting\, sculpture\, perfor
 mance\, and installations to transcend traditional boundaries. With over 3
 5 years of experience\, she teaches at the Detroit Institute of Arts and t
 he College for Creative Studies\, emphasizing that art is a tool for heali
 ng and transformation. Her artwork “Sound Medicine” is the focal art f
 or this year’s Festival.&nbsp\; The cello\, covered in Nelson’s marks\
 , invites viewers to reflect on their power and community’s strength for
  healing\, similar to how each musical note or artistic stroke fosters con
 nections and change. Nelson’s art\, like groundbreaking music\, shows th
 at true innovation and healing come from within.\n\n\n\n\n\n\n\n\n\n\n\n\n
 \n\n\n\n\n\n\n\n\n\n\nPURCHASE TICKETS\n\n\n\n\n\nDoors Open: 10:30 AM Sta
 rts: 11:00 AM Ends: 1:00 PM\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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CATEGORIES:Featured
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DTSTART:20240310T030000
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